We were also able to grab additional content from some of Porter’s music videos like Flicker by Coyote Post. They’re based in NY also and had about 9 or 10 illustrators and animators working on their team. We worked with Invisible Light Network on the animated looks you see in the show. Who are the people that you've been working with and how has it been working with them? The Worlds tour content is a collaborative effort, with you playing content created by a larger group of visual artists. Porter Robinson - Worlds still image courtesy of Invisible Light Network Some design trends I see online do remind me of things I grew up with like 8 bit video games or low poly 3D graphics so maybe that makes me think “I can do that!”
I get sucked down the rabbit hole online pretty easily, especially when I want to find out more about a genre or an artists or a meme. There was so much amazing stuff happening on Tumblr or Vimeo or Second Life that I just wanted to check it all out. I’m a little older then what I consider to be the first real “internet generation” so when things got really high speed and dazzling it made me feel like a stranger in a strange land. No actually! We didn’t have the internet when I was growing up! We got a connection by the time I was in high school but it was maybe dial up speed at best. Where does it all come from? Didn't your mom tell you not to spend so much time on the internet? From anime characters to mayan mysticism to abstract glitch to low-poly geometry to ponies, the list goes on and on. You have a very varied but distinct style. I saw Bassnectar at Buku in New Orleans a few weeks ago and that was an awesome show. And I definitely try to check out other artists when I’m at festivals too. I’ve found more and more of my Vimeo likes being taken up by things that have been featured at. I’m a pretty big fan boy of artists who use multimedia in a conceptual way but also keep it really clean design wise like Ryoji Ikeda or Rafael Rozendaal.
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